MSH DESIGNS
  • Home
  • Virtual Learning
    • Webinars
    • Online Tutorials
  • Books, Videos, PDF Downloads
    • Tutorial and Product Info
  • Enamels and Products
    • Nature Color Collection
    • Brushes and Tools
    • Unique Glass Colors
    • Colors for Earth
  • Original Glass Art
    • Traditional Fine Art
  • About
  • Store Policies
  • Reviews
  • Contact
  • Cress Kilns
  • Home
  • Virtual Learning
    • Webinars
    • Online Tutorials
  • Books, Videos, PDF Downloads
    • Tutorial and Product Info
  • Enamels and Products
    • Nature Color Collection
    • Brushes and Tools
    • Unique Glass Colors
    • Colors for Earth
  • Original Glass Art
    • Traditional Fine Art
  • About
  • Store Policies
  • Reviews
  • Contact
  • Cress Kilns
Search by typing & pressing enter

YOUR CART

  • Downloads
  • >
  • Hydrangea Multiple Layer

Hydrangea Multiple Layer

SKU: Hydrangea Project
$32.50
$32.50
Unavailable
per item
Add to Cart

PDF download.

  • Facebook
  • Twitter
  • Pinterest
  • Google+
Download tutorials are for personal use. The link to download your PDF tutorial will be in your receipt of purchase and the link expires in 14 days. Please be proactive and download on purchase so you don't forget. The file will not be provided by any other method.

This 18 page PDF download tutorial illustrates the steps used to use Colors for Earth fired glass enamels on 4 layers of glass for the Hydrangea piece. You may substitute the enamel colors with your chosen enamel brand, but I recommend if not using Colors for Earth, Hues 2 Fuse, or Unique Glass Colors that you test the firing schedules and adjust the consistency and applications as necessary. These are the three brands that I use.

​ The finished piece is suitable for display stand or slumped for a bowl. The pattern files for each layer are included as well as firing schedules and steps that I used to create this piece. The full fuse firing uses the 8" Patty Gray dam mold and then soft slumped into the Creative Paradise GM232 round shelf ring mold. My desired outcome was for the bowl to be displayed in a three footed iron stand rather than the glass touching the kiln shelf in the firing.

Mark Hufford. Copyright © 2017 All Rights Reserved